Cuban cinema of the ‘70s and ’80s: Performance and self-representation by Instituto de Artivismo Hannah Arendt

At the conversation Cuban cinema of the ‘70s and ’80s: Performance and self-representation by lumbung member Instituto de Artivismo Hannah Arendt (INSTAR), several of its protagonists recall the alternative Cuban cinema of the 1980s, a movement that challenged the official aesthetic and production paradigms with an uncomfortable, experimental and frontally political way of filmmaking.

With kind support from the Jorge M. Pérez Family Foundation

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