*foundationClass*collective, Berlin, 2021, photo: Mohamad Halbouni, courtesy the artists

Agus Nur Amal PMTOH, Prehistoric Making in Progress, courtesy the artist

Christopher Cozier, Sean Leonard, Nicholas Laughlin, and Kriston Chen of Alice Yard, Belmont, Port of Spain, July 2021, photo: Mark Lyndersay

Amol K Patil, Mumbai, 2021, photo: Shubham Kamble

Another Roadmap Africa Cluster (ARAC), ARAC/Arts Research Africa Symposium on Arts Education in Africa, Johannesburg, 2020, photo: Boipelo Khunou, courtesy ARAC

Archives des luttes des femmes en Algérie, a collection of Algerian women’s rights and feminist collectives and associations’ documents, dating from the 1990s, Algiers, 2020, photo: Hichem Merouche, courtesy Archives des luttes des femmes en Algérie

Image: Arts Collaboratory, AC Ecosystem, drawing by Cráter Invertido, Mexico

A visitor at Asia Art Archive Library, Hong Kong, 2017, photo: Kitmin Lee

Atis Rezistans | Ghetto Biennale, The Big Chair by Joe Winter at 3rd Ghetto Bienale 2013, Port-au-Prince, photo: Multiversal Services / Lazaros

Baan Norg Collaborative Arts and Culture, Pop Up Museum (Model Study for Nongpho Community), Artists in Residence, Artistic Research and Contemporary Art Exhibition Project, OFF LAB#2/2014, Nong Pho, 2014, photo: Baan Norg Collaborative Arts and Culture

Baan Noorg Collaborative Arts and Culture, Skate to Milk: Baan Noorg to documenta fifteen, Nong Pho, 2022, Photo: Krittaporn Mahaweerarat

Baan Noorg Collaborative Arts and Culture, Skate to Milk: Baan Noorg to documenta fifteen, Nong Pho, 2022, Photo: Krittaporn Mahaweerarat

Baan Noorg Collaborative Arts and Culture, Skate to Milk: Baan Noorg to documenta fifteen, Nong Pho, 2022, Photo: Krittaporn Mahaweerarat

Baan Noorg Collaborative Arts and Culture, Skate to Milk: Baan Noorg to documenta fifteen, Nong Pho, 2022, photos: Krittaporn Mahaweerarat.

Black Quantum Futurism, 2021, photo: Chris Stitch

One Day At BOLOHO Space In Guangzhou, color printing from woodcut by BOLOHO, 2021, courtesy BOLOHO

Cao Minghao & Chen Jianjun, Water System Project, Wen Chuan, 2019, photo: Cao Minghao and Chen Jianjun

Centre d’art Waza, poetry performance session at the Centre d’art Waza courtyard during the opening of its art education program Kazi 2.0, Lubumbashi, 2018, photo: Berry Numbi, courtesy Centre d’art Waza

Portrait of Chang En-Man, still from Happy Mountain, video, dual channel, 18' 25", 2015, courtesy the artist

Image: Chimurenga, Chimurenga modules, 2015, courtesy Chimurenga

Cinema Caravan, at the Zushi Beach Film Festival, Zushi, 2017, photo: Rai Shizuno

Dan Perjovschi, The Horizontal Newspaper - The Revolution Edition, white and black permanent marker on wall, 35 x 4 m, Sibiu, 2019, photo: Dan Perjovschi, courtesy the artist and FITS The International Theatre Festival Sibiu

Dan Perjovschi, Anti War Drawings, 2022, 3 banners, Photo: Nicolas Wefers

Dan Perjovschi, Anti War Drawings, 2022, 3 banners, Photo: Nicolas Wefers

Dan Perjovschi, Anti War Drawings, 2022, 3 banners, Photo: Nicolas Wefers

Dan Perjovschi, Anti War Drawings, 2022, 3 banners, Photo: Nicolas Wefers

Dan Perjovschi, Anti War Drawings, 2022, 3 banners, Photo: Nicolas Wefers

documenta fifteen, Dan Perjovschi, Generosity, Regeneration, Transparency, Independence, Sufficiency, Local Anchor and most of all Humor, Kassel, 2022, Photo: Nicolas Wefers

documenta fifteen, Dan Perjovschi, Generosity, Regeneration, Transparency, Independence, Sufficiency, Local Anchor and most of all Humor, Kassel, 2022, Photo: Nicolas Wefers

documenta fifteen, Dan Perjovschi, Generosity, Regeneration, Transparency, Independence, Sufficiency, Local Anchor and most of all Humor, Kassel, 2022, Photo: Nicolas Wefers

documenta fifteen, Dan Perjovschi, Generosity, Regeneration, Transparency, Independence, Sufficiency, Local Anchor and most of all Humor, Kassel, 2022, Photo: Nicolas Wefers

El Warcha, Courtyard project, Hafsia, 2019, photo: Inês F. Marques, courtesy El Warcha

Outis Niemand, in Hans Weiditz and Ulrich von Hutten, Outis Nemo, Augsburg 1518

Fehras Publishing Practices, Scenes of Borrowed Faces: Al-Sharq Bookstore, no. 1–5 (Detail), Fotoroman-Reihe, gerahmte Fotografien, Farbe, 50 x 70 cm, 2020, Courtesy Fehras Publishing Practices

Graziela Kunsch, Escolas [Schools], videostill, Acervo Videobrasil 2016, courtesy the artist and Acervo Videobrasil

Hamja Ahsan at Introvert Activism and the Resistful Unseen, book presentation, PrintRoom, Rotterdam, 2019, photo: Florian Cramer

ikkibawiKrrr, courtesy the artists

Jimmie Durham, 2019, photo: Maria Thereza Alves

Jumana Emil Abboud, I am my own talisman II (from the Unbearable Halfness of Being), beeswax and turmeric, sizes variable, 2021, commissioned for documenta fifteen, courtesy the artist

Keleketla! Library, Skaftien #4, in the frame of documenta fifteen, May 8, 2022, Drill Hall, Johannesburg, Photo: Bongani Mndaweni

Keleketla! Library, The Allure of Gold and Other Solidarity Stories, exhibition view (detail), 10th Berlin Biennale, HAU Hebbel am Ufer (HAU2), 2018, photo: Timo Ohler, adapted by Keleketla! Library, courtesy Berlin Biennale

Portrait of Kiri Dalena, 2020, photo: Kimberly de la Cruz

Komîna Fîlm a Rojava, filming Stories of destroyed cities, Derbesiye, 2016, photo: Nadia Derwish

The Book of the Ten Thousand Things, Quilmes, Buenos Aires, 2022, Photo: Virginia Buitrón

LE 18, artists workhop, DHABAPHOTO 6, Marrakech, 2021, courtesy LE 18

MADEYOULOOK, Ejaradini, installation view, Johannesburg Art Gallery, 2018, photo: RicardoMarkusK, courtesy MADEYOULOOK

Marwa Arsanios, still from Who is Afraid of Ideology? Part 4, 28', 2021, courtesy the artist

Nguyen Trinh Thi records environmental sounds at a Jarai cemetery, Gia Lai province, Central Highlands, Vietnam, 2020, photo: Jamie Maxtone-Graham, courtesy the artist

Testing the shadow of a chili forest for Landscape series #5: And They Die a Natural Death in the artist’s studio, 2022, Photo: Jamie Maxtone-Graham

Nhà Sàn Collective, Artists gathering at Nhà Sàn during Lunar New Year’s Eve, Hanoi, 2018, courtesy Nhà Sàn Collective

Nino Bulling, 2021, photo: Schirin Moaieri

ook_reinaart vanhoe, drawing, 2014

Portrait of Vidisha-Fadescha, Party Office, New Delhi, 2020, photo: Shaunak Mahbubani

Party Office at New Delhi, illustrated by Jonathan Eden, 2022

Party Office b2b Fadescha, Vidisha-Fadescha, Qworkaholics Anonymous II, Two-channel video with sound (video still), 2022

Party Office b2b Fadescha, Vidisha-Fadescha, Qworkaholics Anonymous II, Two-channel video with sound (video still), 2022

Pınar Öğrenci, Berlin, 2021, photo: Kerem Uzel, courtesy the artist

Richard Bell, 2018, photo: Savannah van der Niet, courtesy the artist and Milani Gallery, Brisbane

Opening performance at Breath: Graduate Exhibition of Contemporary Art Class, Sa Sa Art Projects, Phnom Penh, 2020, courtesy Sa Sa Art Projects

Interview with Baghdad-based artist Sajjad Abbas sharing images of his work at a workshop organized by Sada in Iraq, 2012, courtesy Rijin Sahakian

Safdar Ahmed, Sidney, 2020, photo: Safdar Ahmed

Saodat Ismailova, 2016, photo: Carlos Casas, courtesy the artist

Serigrafistas queer, drawing, 2016, ASK. Archivo Serigrafistas Kuir, courtesy Serigrafistas queer

A trip to Redeyef with Siwa, 2015, photo: Fakhri El Ghazal

Sourabh Phadke, sketch, 2018, courtesy the artist

Film canisters from the Tokyo Reels collection, Subversive Film, 2018–ongoing, courtesy Subversive Film

Carnival Remembering 4 years of the Lapindo mud Tragedy at Siring Barat, Porong, Sidoarjo, East Java, Indonesia, 2010, courtesy Taring Padi

The Black Archives, collection of over 10.000 books and documents on colonialism, slavery, liberation and emancipation, Amsterdam, 2020, photo: The Black Archives

The Nest Collective, Nairobi, 2020, photo: The Nest Collective

Wakaliga Uganda, Best of the best Action Movies, 2020, Photo: Nakasujja Harriet

From Vies possibles et imaginaires (Editions Photosynthèses, Arles, 2012), a collaboration with Rozenn Quéré, courtesy the artist