The seven-part conversation series lumbung calling launches documenta fifteen’s Public Program, activated under the title Meydan. Each edition of the series is dedicated to one of the lumbung values: Local Anchor, Humor, Generosity, Independence, Transparency, Sufficiency, and Regeneration. The format dives deeper into the background of the artistic concept for documenta fifteen and illuminates the idea of lumbung from many different angles. Through conversations with a variety of guests, lumbung calling will explore the rich meaning of lumbung across multiple disciplines, points of view, and contexts within an artistic framing.
lumbung calling takes place on the first Saturday of every month over seven sessions, from April to October 2021. It is hosted by the artist Jumana Emil Abboud and ruangrupa member Mirwan Andan.
The first lumbung calling focuses on the value of Local Anchor. The metaphor of an anchor describes the value of soil in our globalized yet divided world: soil that enables roots to grow and connects trees located miles and miles apart. Just as trees echo each other’s signals, harvesting and cultivation methods can resonate with and be amplified by local wisdoms, bringing to life new resources, and developing diverse relationships with time. Guests Melani Budianta and Armin Salassa examine ways of challenging integrated models of political, social, and economic behavior in a discussion unfurling from the point of view of a seed to the tender voices of concerned mothers.
Melani Budianta is a professor of Literature and Cultural Studies in the Faculty of Humanities at the University of Indonesia and a member of the Inter-Asia Cultural Studies Society. Since the late 1980s, Budianta has undertaken research and writing focused on gender and cultural activism. Her articles have been published in academic journals, newspapers, and magazines. During the Asian financial crisis of 1997/1998, she participated in Indonesia’s women’s movement. In 2020, Melani Budianta presented her talk Lumbung Budaya Sepanjang Gang or Cultural Granaries Along the Alleys, organized by the Jakarta Art Council.
Armin Salassa is a farmer and activist in Bulukumba, South Sulawesi, Indonesia. In 2011, Salassa — along with farmers from the village where he was born — began implementing natural farming, an organic practice that has long existed in many other areas of the archipelago. Natural farming techniques combine scientific knowledge with wisdom, stories, and practices inherited from ancestors, removing the need for chemical fertilizers, pesticides, fungicides, and herbicides. Since 1993, he has worked as a community organizer in various locations throughout Indonesia and advocated for the denied rights of Indigenous people in Palu, Central Sulawesi. Armin Salassa has assisted community organizations in numerous Indonesian villages, including Aceh, Sumatra, following the 2004 tsunami.
Jumana Emil Abboud’s creative interests lie in oral histories, personal and collective stories, and mythologies, particularly folk tales and their sites of being and unbeing. Abboud uses storytelling, performative elements, and workshop methodologies in her artistic practice to investigate our relationship to time and place, to the human and non-human, exploring tools of memory, attachment, and dispossession amid the challenge for continuity within political, ecological, and cultural struggles. Her work has been shown at The Jerusalem Show (2018); BALTIC Centre for Contemporary Art, Gateshead (2016); Sharjah Biennale (2017); Biennale di Venezia (2015); and Istanbul Biennale (2009), among many others. She has participated in art residencies, including Sakiya — Art/Science/Agriculture, Ramallah; Delfina Foundation, London; Arts Initiative Tokyo; and Gästeatelier Krone, Aarau. Abboud is currently pursuing a practice-led PhD at the Slade School of Fine Art, University College London.
Mirwan Andan is a member of ruangrupa, Artistic Direction of documenta fifteen.
In English with translation into International Sign.
No registration required