Cuban cinema of the ’60s: The first heretics by Instituto de Artivismo Hannah Arendt

In the early 1960s, Cuban cinema committed the original sin: it set in motion the censorship mechanisms of the new revolutionary state. In the conversation Cuban cinema of the ’60s: The first heretics by lumbung member Instituto de Artivismo Hannah Arendt (INSTAR), some of the first heretical filmmakers reconstruct the contradictory spirit of that decade.

With kind support from the Jorge M. Pérez Family Foundation

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