{"id":16894,"date":"2022-07-01T17:10:02","date_gmt":"2022-07-01T15:10:02","guid":{"rendered":"https:\/\/documenta-fifteen.de\/?post_type=event&#038;p=16894"},"modified":"2022-07-01T17:12:33","modified_gmt":"2022-07-01T15:12:33","slug":"independent-cuban-cinema-as-an-essay-for-the-public-square","status":"publish","type":"event","link":"https:\/\/documenta-fifteen.de\/en\/calendar\/independent-cuban-cinema-as-an-essay-for-the-public-square\/","title":{"rendered":"Independent Cuban cinema as an essay for the public square"},"parent":0,"menu_order":0,"template":"","meta":{"_acf_changed":false,"_searchwp_excluded":""},"event_types":[2352],"languages":[2312,2315],"class_list":["post-16894","event","type-event","status-publish","hentry","event_types-conversing"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Independent Cuban cinema as an essay for the public square - documenta fifteen<\/title>\n<meta name=\"description\" content=\"At \u201cIndependent Cuban cinema as an essay for the public square\u201d by lumbung member Instituto de Artivismo Hannah Arendt (INSTAR), the critic and essayist Dean Luis Reyes analyzes the main controversies in Cuban cinema in the last thirty years\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/documenta-fifteen.de\/en\/calendar\/independent-cuban-cinema-as-an-essay-for-the-public-square\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Independent Cuban cinema as an essay for the public square - 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